Ten years is a long time for a company whose major products last a matter of hours.
Since their inception in 2006, Glacial Art Ice Sculptors have grown rapidly, bringing on a steady flow of increasingly high-profile clients, and making a solid name for themselves in the ice sculpting industry.
But how do you even start an ice sculpting business?
Mat Chaloner and Mat Foster first met at university in Sunderland, where they were both studying Design and Model Making – a friendship was struck up almost instantly. The pair moved to London, where Mat F worked for a Special effects company and Mat C took up an apprenticeship with a London-based ice sculpting company, giving him the opportunity to explore his abilities within the unique medium of ice. Together they worked on various exciting projects in London including ice effects on the film “King Arthur” and costumes for Angelina Jolie in the film “Sky Captain and the World of Tomorrow”.
“We were both good sculptors, hard grafters and firm friends”, Matt says about their early business plans. “We had realised there was a gap in the market Up North. We are both from the North west and both wanted to return closer to home.” Despite having no experience in running a business – especially within the creative industry – the two Mat’s were determined to make it work. “Sometimes you just have to jump in and see what happens!”
On their first day in Liverpool they found the perfect warehouse, which has remained their base of operations to this day. The next step was to find an accountant who could help them navigate the choppy waters of business ownership; with the support of accountant Mark Linney of Taxcall Accountants and business guru Ron Ives of Blue Orchid, a plan of attack was formed. Within two months of approaching the bank with their proposal they were accepting ice-block machines from America – “and our chainsaws began to chop!”
The Big Jobs
The world of professional ice sculpting is a competitive one, but one at which Glacial Art have succeeded again and again. From live ice-sculpting performances in Kuwait, to working on pieces for Cannes Film Festival, and even walking away as winners of the European Ice-Sculpting Championships, there certainly hasn’t been a dull moment.
It’s a rather big question for the most ambitious ice sculpting company in the UK!
This year the team have already been courted for an ice exhibition in Istanbul, which would be one of their largest and longest-running commissions yet. “Out of all the hundreds of ice sculpting companies around the world, they contacted us, four guys in a warehouse in Liverpool to create this exciting project for them in Turkey”, Mat says as he glows with pride. “Travelling the world through our creativity is something that really excites us.”
The big goal though, the ultimate achievement, would be taking home first prize at the World Ice Carving Championship in Alaska. Held every year, the standard of work shown there is incredible. “We’ve had our eye on Alaska for a long time now, but we have never really felt ready enough.”
With tens of thousands of spectators, and more than a hundred sculptors from thirty different countries, it’ll be one of the biggest challenges the Glacial Art team has ever faced. So far, no Brits have ever managed to become the World Champions. “Could we claim that title in the next ten years? Is that possible?”
“Of course it is!”
We asked the two Mats, Attila and Paul to choose ten of their favourite ice sculptures from over the 10 years they have been in business.
10. The Rolex Watch
This piece was 1m tall and 50cm wide. Blood, sweat and tears went into creating this piece: literally! Mat F chopped the top of his ring finger off while showing Attila how to cut a perfect disc – or rather how not to do it. Now that’s a lesson you don’t get taught in university!
9. The Iron Throne
We created this piece for HBO to celebrate the launch of the Game of Thrones season 4 DVD Box Set. It took three weeks to design and build, before it was sited in Covent Garden for fans to interact with. This was Paul’s favourite piece to work on.
A special shout out goes to the beautiful lady at the front of the picture: Rachael Treacher, who worked for us between 2012 and 2014. She revolutionised our office practice and business communications – thank you Rach!
8. The Bench Jacket
This was for the launch of Bench’s flagship store in Berlin, and was used as part of their winter advertising campaign. A 1m x 1m block of ice was formed and this winter jacket was “floated” inside it. Crafted and photographed in Liverpool before being shipped to Berlin.
7. The Steampunk Fish
Mat C’s favourite live sculpture to date, it was carved in the pouring rain. Taking five hours to complete, the final product measured 2m wide and 1m tall.
6. Dr Oetker’s Ice Pizzeria
This is surely the biggest ice sculpture we’ve made to date! Dr Oetkers requested the corner of a Pizzaeria building for Liverpool Street Station in London, complete with chairs, tables and a bar. Real pizza ingredients were frozen into the walls. Overall it came to 4m x 3m x 2.5m, and required more than 4 tonnes of ice!
5. Dino Skeleton
Attila’s favourite sculpture to work on is a massive 3m x 3.5m dinosaur skeleton. Created for a competition in Latvia, the team had to work through the night with -20 degree temperatures to get it finished on time.
4. MTV Logo
The MTV European Music Awards in 2008 were held in Liverpool, and we created this fantastic sculpture sign for them. It measured 1m x 80cm wide.
3. Frozen Palace
This was a special piece made for the BBC3 show “Don’t Tell the Bride”. Measuring 2m x 3.5m, it was a monster of a sculpture that cost the groom half of his budget!
2. Cocktail Ice Bar
This was one of our very first Ice Bar designs, made way back in 2007 – Ice bars are something we really specialize in. Nothing says “Wow Factor” like serving drinks from a custom built ice bar.
This 3m bar was was for Cointreau and had 3 of their bottles floating in the ice.
1. Game of Thrones Ice Henge
Six tonnes of ice went into making this monumental piece, which we carved in Liverpool before driving it to Belfast. Over the two days of filming we had to maintain the ice altar and ten giant ice spikes; although we then got the thrill of seeing our creation on television!
This was Mat Foster’s favourite project to work on.